“It's an extraordinary piece… technically it’s superb. Intellectually it’s devastating. Emotionally it’s searing.”
- Independent on Sunday

“an extraordinary new play”

- Musings in Intermissions

★ ★ ★ ★ ★

“a wildly ambitious production… there is meaning in the magic”

- Irish Times

★ ★ ★ ★

“Truly magical”

- Irish Examiner

★ ★ ★ ★

BOY. WHAT AM I TO TELL MR. GODOT, SIR?

VLADIMIR. TELL HIM . . . TELL HIM YOU SAW ME.

Waiting for Godot

A play without performers, BECKETT’S ROOM tells the story of the apartment in Paris where Samuel Beckett lived with his partner Suzanne during the second world war. 

A story of Art and Resistance, the audience listen through headphones and gaze upon a spectacle of absence - the absence of bodies on stage focuses us more intently on their stories, on the world changing around us, and changed by us. 

The biography of a room, and an invitation to bear witness to a world as it disappear

Beckett’s Room premiered as part of Dublin Theatre Festival at the Gate Theatre

Supported by the Arts Council / An Chomhairle Ealaíon. A Gate Theatre and Dead Centre co-production. Co-comissioned by Irish Arts Center and Warwick Arts Centre. Development was supported by the National Theatre Studio and the Trinity College Creative Challenge Award. The project was supported by the Goethe Institut, Dublin, and Dublin City Council.

Text Dead Centre and Mark O’Halloran
Dramaturg Nicholas Johnson
Translation / Assistant dramaturgs Peter Krauch & Céline Thobois
Direction Bush Moukarzel and Ben Kidd
Producer Aisling Ormonde 

Set and Puppetry Design Andrew Clancy

Puppetry creation: Eugenia Genunchi, Ciarán Bonner, Jason Lambert

Puppeteers: Eugenia Genunchi, Ciarán Bonner, Jason Lambert, Justine Cooper

Voices: Viviane de Muynck, Valentijn Dhaenens, Christoph Gawenda, Brian Gleeson, Moritz Gottwald, Barbara Probst, Laurence Roothooft

Light Stephen Dodd
Video José Miguel Jiménez
Sound and Music Kevin Gleeson
Sound design assistant Jenny O’Malley
Design assistant Florentina Burcea
Stage manager Mags Mulvey

Previous
Previous

The Fall of the Second Republic (Abbey Theatre, 2020)

Next
Next

Misfits (Dublin Theatre Festival, 2018)